Eileen R. Tabios is a poet working in multiple genres and in-between. She also loves books by writing, reading, publishing, critiquing, romancing and advocating for them. This blog will feature her bibliophilic activities with posts on current book engagements and links to her books and projects related to books.
Showing posts with label Readings & Other Appearances. Show all posts
Showing posts with label Readings & Other Appearances. Show all posts

Tuesday, June 1, 2021

VIDEO RECORDING AVAILABLE FOR MARSH HAWK READING

You are invited to see the recording of the second session of Marsh Hawk Press' Summer Reading Series. This event features readings by Thomas Fink & Maya Mason, Jon Curley, and Eileen R. Tabios with Introductions by Burt Kimmelman. The website features link and password at this link.

(My part of the event starts at 00:35.30 as I'm the last reader.)

I recommend the presentations by the other readers. I also thank Burt Kimmelman for his generous Introduction to me and the book I was launching--the 2021 paperback edition of The In(ter)vention of the Hay(na)ku: Selected Tercets 1995-2019; here's an excerpt: 

"Too many readers overlook a poem’s form ironically. Tabios does not. Yet she’s always bending it. ….Joyce found poetry too confining. Tabios must always transcend her own formalisms.… . Tabios is intrinsically drawn to form for reasons to do with how aesthetics and thought touch."

I'm also grateful to those who attended the reading, including these:







Sunday, May 16, 2021

A READING ON KAPWA!

 YOU ARE ALL INVITED!

I'll also read a brief excerpt from DOVELION!

See registration information below:

(Click on image to enlarge.)




Wednesday, March 31, 2021

APRIL 3 BOOK LAUNCH (ZOOMED) OF DOVELION

YOU ARE ALL MOST DEFINITELY INVITED to the Zoom-based Book Launch of my novel, DOVELION: A FAIRY TALE FOR OUR TIMES! I put details below but you can also go HERE for more information.


DOVELION is a multi-layered story with something for (nearly) everyone, addressing not just literature but history, myth, the visual arts, cloud as well as indigenous culture, and even adobo! And then there's novelist Reine "Bonnie" Arcache Melvin (recipient of two Philippine National Book Awards for Fiction) who had helped edit my manuscript and with whom I'll be sharing a conversation!

Apr 3, 2021 10:00 AM Pacific Time (US and Canada)
Join Zoom Meeting
https://us02web.zoom.us/j/84148604715?pwd=c1FTaUlwZU5tMHA4Y1NqUFdpbHFlUT09

Meeting ID: 841 4860 4715
Passcode: 288363
https://mailchi.mp/4fe2b35ac844/4jnhnma5yf-6164077

Please note your local times versus Pacific Time.


Additional Book information at its Book Page.



Monday, June 22, 2020

LAUNCHING PAGPAG THROUGH FB LIVE!

You are invited to

"The Dictator's Aftermath: A Conversation"
which will also launch Eileen R. Tabios' new book of short stories, 
PAGPAG: The Dictator’s Aftermath in the Diaspora

To participate, please go HERE for Facebook Live details.

The event starts at 5 p.m. Pacific on Saturday, July 18, 2020 
(July 19, Sunday, 8 a.m. Philippine time)


PAGPAG Author: Eileen R. Tabios
Moderator: Joi Barrios
Panelists: Fr. Bert Alejo, Nerissa Balce, Red Constantino, S. Lily Mendoza
Co-Hosts: Aileen Cassinetto, Michelle Bautista

Link information for PAGPAG: The Dictator’s Aftermath in the Diaspora –


BIOS

Eileen R. Tabios has released over 60 collections of poetry, fiction, essays, and experimental biographies from publishers in ten countries and cyberspace. Recent releases include a short story collection, PAGPAG: The Dictator’s Aftermath in the Diaspora and a poetry collection, The In(ter)vention of the Hay(na)ku: Selected Tercets 1996-2019. Forthcoming soon is her third bilingual edition (English/Thai), INCULPATORY EVIDENCE: Covid-19 Poems. Her award-winning body of work includes invention of the hay(na)ku, a 21st century diasporic poetic form, and the MDR Poetry Generator that can create poems totaling theoretical infinity, as well as a first poetry book, Beyond Life Sentences, which received the Philippines’ National Book Award for Poetry. Translated into 11 languages, she has edited, co-edited or conceptualized 15 anthologies of poetry, fiction and essays. More information is available at http://eileenrtabios.com

Joi Barrios-Leblanc has published three books of poetry, including the Filipina feminist classic Ang Pagiging Babae ay Pamumuhay sa Panahon ng Digma /To Be Woman is to Live at a Time of War (Babaylan Women’s Publishing Collective, 1990). She is the author of a collection of plays, Bailaya (University of the Philippines Press, 1997), and her dissertation, Mula sa Mga Pakpak ng Entablado: Poetika ng Dulaang Kababaihan (University of the Philippines Press, 2006), is a study of Filipina playwrights. She has won several national writing awards in the Philippines: the Weaver of History Award, given to one hundred Filipinas for their contributions to Philippine society by the National Centennial Commission, 1998; the TOWNS Award (Ten Outstanding Women in the Nation’s Service), 2004; and the Gawad Pambansang Alagad ni Balagtas (National Balagtas Lifetime Achievement Award) for Poetry in Filipino, 2016. Barrios currently teaches Filipino and Philippine Literature at the University of California, Berkeley.

Albert E. Alejo ("Paring Bert") is a Filipino Jesuit priest who worked with trade unions and informal labour groups in Manila before earning a doctorate degree in social anthropology at the School of Oriental and African Studies, University of London. He is founder of Ehem! Anti-corruption Initiative and author of Tao Po! Tuloy!: Isang Landas ng Pag-Unawa sa Loob ng TaoGenerating Energies In Mount Apo: Cultural Politics In A Contested EnviromentNabighani: Mga Saling Tula ng Kapwa Nilikha, and other works. He teaches at the Ateneo de Manila University, and his areas of specialization include Christian Social Ethics: Corruption and Violence and the Formation of Social Conscience, Intercultural and Interreligious Dialogue, and Methods of Research for Doctor of Ministry.

Nerissa S. Balce is an Associate professor of Asian American studies at SUNY Stony Brook. Her research focuses on race, gender, state violence and popular culture in the U.S. and the Philippines. She is co-curator of the online art project, Dark Lens / Lente ng Karimlan: The Filipino Camera in Duterte’s Republic, an online exhibition of Philippine photographs of the drug war featuring commissioned poems and captions by 40 scholars and artists from the Philippines and North America.  Dark Lens  is currently on view at SUNY Stony Brook's  Center for the Study of Inequalities, Social Justice and Policy website. Balce is the author of the book, Body Parts of Empire: Visual Abjection, Filipino Images and the American Archive , winner of the 2018 Best Book award in Cultural Studies from the Filipino Section of the Association for Asian American Studies. The book was also a finalist for the best book in the social sciences for the 2018 Philippine National Book Awards. She was born and raised in Manila, Philippines. 

Renato Redentor ("Red") Constantino is the Executive Director of the Institute for Climate and Sustainable Cities and the author of The Poverty of Memory: Essays on History and Empire. He is anthologized in Letters to the Earth (HarperCollins, 2019) with Yoko Ono, Mary Oliver, Emma Thompson and Mark Rylance, Humanity (Paloma Press, 2018) with Eileen Tabios, Laura Mullen, and Murzban F. Shroff, Literary Encounters: A Comprehensive Worktext in 21st Century Literature from the Philippines (University of San Carlos Press, 2016), and the Japanese publication The World Can be Changed: An Anthology for Posterity (TUP/Seven Forest Bookstore, Tokyo: 2004), along with Ariel Dorfman, Jane Goodall, Chalmers Johnson, and Sami Ramadani. As head of ICSC, he published and contributed to the anthology, Agam: Filipino Narratives on Uncertainty and Climate Change (ICSC, 2014), which was awarded three national book awards. He writes for several publications, and his essays on history, memory, environment and development have been translated into several languages. Red also manages the Constantino Foundation which is dedicated to advancing the idea of a usable history, where lessons from the past become active elements of the present.

S. Lily Mendoza (she, her, hers) is a native of San Fernando, Pampanga in Central Luzon, Philippines, the traditional homeland of the Ayta peoples. She is a Professor of Culture and Communication at Oakland University, Rochester, Michigan and the current Director of the Center for Babaylan Studies (CfBS), a non-profit organization on Turtle Island (North America) offering educational programming aimed at facilitating decolonization and pagbabalik-loob (recovery of an indigenous way of being in the world) among Filipinos in the diaspora.  She is the author of Between the Homeland and the Diaspora: The Politics of Theorizing Filipino and Filipino American Identities and lead editor of Back from the Crocodile’s Belly: Philippine Babaylan Studies and the Struggle for Indigenous Memory and has also published widely in various cultural and native studies journals and anthologies on questions of identity and subjectivity, cultural politics in national, post- and trans- national contexts, discourses of indigenization, race, and ethnicity, and, more recently, civilization and climate change.






Friday, October 18, 2019

THIS SUNDAY: WHY HUMANITY NEEDS MORE EDITING!


This Sunday at Bird & Beckett Books!
“What, in this human condition, is worthwhile?” A reading and conversation with St. Helena-based author Eileen Tabios, Mumbai-based author Murzban Shroff, and New York-based author Robert Cowan.
10/20 at 2pm, 653 Chenery St SF
This event is free and open to the public. Light refreshments and wine will be provided.
ABOUT OUR FEATURED READERS:
ROBERT COWAN is a professor and dean at the City University of New York, and a volunteer instructor at Rikers Island Correctional Facility. He is the author of two hybrid-genre collections—Elsewhen (Paloma Press, 2019) and Close Apart (Paloma Press, 2018), and two monographs—Teaching Double Negatives (Peter Lang, 2018) and The Indo-German Identification (Camden House, 2010). His poetry, fiction, creative nonfiction, and scholarship have appeared in various journals and anthologies.
MURZBAN F. SHROFF has published his stories with over 60 literary journals in the U.S. and UK. His fiction has appeared in journals like The Gettysburg ReviewThe Minnesota Review, The Saturday Evening PostChicago Tribune, and World Literature Today. His non-fiction has appeared in India AbroadThe New Engagement, and The American Scholar. Shroff is the winner of the John Gilgun Fiction Award and has garnered six Pushcart Prize nominations. His short story collection, Breathless in Bombay, was shortlisted for the Commonwealth Writers’ Prize in the best debut category from Europe and South Asia, and rated by the Guardian as among the ten best Mumbai books. His novel, Waiting For Jonathan Koshy, was a finalist for the Horatio Nelson Fiction Prize. Shroff represented Mumbai at the London Short Story Festival and was invited to speak about his work at the Gandhi Memorial Center in Maryland, University of California Los Angeles, California State University Monterey Bay, the Institute for South Asia Studies at UC Berkeley, and the Annenberg School for Communications & Journalism at the University of Southern California.
EILEEN R. TABIOS loves books and has released over 60 collections of poetry, fiction, essays, and experimental biographies from publishers in ten countries and cyberspace. Publications include form-based Selected Poems, The In(ter)vention of the Hay(na)ku: Selected Tercets (1996-2019), THE GREAT AMERICAN NOVEL: Selected Visual Poetry (2001-2019)INVENT(ST)ORY: Selected Catalog Poems & New (1996-2015), and THE THORN ROSARY: Selected Prose Poems & New (1998-2010); the first book-length haybun collection, 147 MILLION ORPHANS (MMXI-MML); a collection of 7-chapter novels, SILK EGG; an experimental autobiography AGAINST MISANTHROPY; as well as two bilingual and one trilingual editions involving English, Spanish, and Romanian. Her award-winning body of work includes invention of the hay(na)ku poetic form as well as a first poetry book, Beyond Life Sentences (1998), which received the Philippines’ National Book Award for Poetry (Manila Critics Circle). Her poems have been translated into ten languages as well as computer-generated hybrid languages, paintings, video, drawings, visual poetry, mixed media collages, Kali martial arts, music, modern dance, sculpture and a sweat shirt. Additionally, she has edited, co-edited or conceptualized 15 anthologies of poetry, fiction and essays as well as exhibited visual art and visual poetry in the United States, Asia and Serbia.
ABOUT HUMANITY



Sunday, September 9, 2018

HAPPY 15TH BIRTHDAY, HAY(NA)KU!!!



We actually sang "Happy Birthday" to the hay(na)ku! This was not your typical poetry reading or book launch but a literary quinceanera!

Thank you. I am so grateful to those who helped plan and formed the Hay(na)ku Birthday Celebration Sept. 8 at the San Francisco Public Library – from the crowd of attendees to those who helped bring the food and books because I live out of town, the dancers, the sponsors, the readers…Salamat Abraham Ignacio, Edwin Lozada, emcee Abigail Licad, baker and mom-to-dancers Melinda Luisa de Jesus, dancers Malaya and Stinson, and readers listed below.

There were also special features to the event: Abe Ignacio’s bibingka (to die for!); Melinda Luisa de Jesus’ mirror hay(na)ku sculpture which intrigued the crowd; celebratory champagne Jacquesson & Fils Cuvee Perfection released in 1998 to celebrate the 100th anniversary of the Philippines’ Independence (it was still good! Thanks Tom!). Anyway, I have no words to articulate the fullness of my heart. Here were the readers – special thanks to the readers who came in for this event from Toronto, Colorado, and San Diego:

Stewart Shaw
Gabby Bautista and Michelle Bautista
Melinda Luisa de Jesus and Malaya Lanikai de JesĂşs-Tinsman 
Aileen Cassinetto and Paul Cassinetto
Jean Vengua 
Tess Crescini
deb y felio 
Cesar Polvorosa
Carol Dorf
Amy Pabalan
John Bloomberg-Rissman
Sheila Bare 
Glynda Velasco
Sean Labrador y Manzano

Photos below are of the event and two associated exhibitions at the San Francisco Library: a permanent installation of five framed hay(na)ku posters and a 19-Poem exhibition of hay(na)ku, both on the library's third floor. It was fun to see event participants and attendees do "Kodakan" (Filipino slang for taking photos) in front of exhibits, especially the five-year-old Gabby Bautista who is the youngest poet in the HAY(NA)KU 15 anthology.  To Kodakan then! Click on images to enlarge:

 Eileen Tabios gratefully greeting the crowd (grateful for turnout despite huge traffic
constraints due to the Climate Change protest march).

Abraham "Abe" Ignacio, Jr.,  Librarian for the SFPL Filipino-American Center

Eileen and Abe in front of the 19-Poem Hay(na)ku Exhibit

  Edwin Lozada, founder of the Philippine American Writers Association


Michelle Bautista reading the poem of 5-year-old Gabby Bautista, the youngest 
poet in HAY(NA)KU 15 anthology. Gabby is behind the podium as she decided 
she didn't like the poem she published in the anthology, but wrote a new one
for her mom to read as well. 


Gabby's newer and preferred hay(na)ku poem.

Scholar-Poet-Soprano-Baker Melinda Luisa de Jesus sports hair matching her cake.

 Sheila Bare

 Abigail Licad


 Edwin Lozada mans the book table, and sells books!

A marvelous surprise: Abe Ignacio's bibingka--yummy! 

Melinda Luisa de Jesus with her hay(na)ku mirror sculpture. 

The crowd engaging with Melinda's sculpture, including John Bloomberg-Rissman 
who traveled from San Diego to do reading. 

deb y felio traveled from Colorado to read at the event. 

Amy Pabalan doing her first San Francisco reading through the hay(na)ku! 

Stewart Shaw 

Sean Labrador y Manzano 

John Bloomberg-Rissman who traveled from San Diego to do reading

Stinson and Malaya by Abe Ignacio's bibingka (as soon as we finished 
the photograph, we all leapt for a piece!)

 Jacquesson & Fils Perfection Cuvee Special Edition for "Independance Des Philippines"

 Melinda Luisa de Jesus reads the mermaid poem written by 8-year-old Malaya, 
while Malaya holds up her drawing of a mermaid.

 Cesar Polvorosa, Jr. brought his family from Toronto to read at the event.

Carol Dorf

Michelle and Gabby Bautista in front of Melinda's hay(na)ku mirror sculpture.

Glynda Velasco

 Melinda Luisa de Jesus counsels her kids Stinson and Malaya 
who performed the "Binasuan" folk dance to open up the proceedings.



 5-year-old Gabby signs her first book!


9-year-old Malaya signs her first book ... with a cat!


Glynda Velasco by her exhibited poem.

***

Five Framed Hay(na)ku Posters
--poems by Eileen Tabios, Vince Gotera, Jean Vengua, Abigail Licad, and Aileen Ibardaloza-Cassinetto:

Jean Vengua





Eileen and Abe

***

Kodakan with Gabby:

5-year-old Gabby gazes at her exhibited poem.

Rhett Pascual "Kodakan" his daughter Gabby.



Thanks again to everyone. If you're interested in seeing more, do check HAY(NA)KU 15 anthology (there currently is a September pre-release Special with discounted price) -- info HERE!