Eileen R. Tabios is a poet working in multiple genres and in-between. She also loves books by writing, reading, publishing, critiquing, romancing and advocating for them. This blog will feature her bibliophilic activities with posts on current book engagements and links to her books and projects related to books.

Monday, June 7, 2021


It's been two months and 7 days since my novel DOVELION was released and I am grateful for its reception so far. There were supply imbalances as we didn't expect the initial high demand, which is lovely since it's a great problem to have. Fortunately, DOVELION is now restocked, but I'd like to present an opportunity get a FREE COPY:

The novel comes with a "Notes" section that's so extensive that poet-artist-publisher Holly Crawford observed it's its own novel. So if anyone would like to engage just the 4,500-word "Notes" section, I'd be happy to send over a review copy. ("Engage" here means a reaction that can be informal and written in any style, from epistolary to a straight review.) Your response can be as long as you wish but should be at least 4 paragraphs as I'd be interested in featuring it in next Halo-Halo Review. This Notes section incorporates not just sources to various items in the novel but links that you may or may not wish to follow up on, as well as a few poems. This obviously is an experiment so I'm open to however people end up engaging this Notes section. Email me if this opportunity would be of interest. This offer is available to more than one person, depending on interest.

Info on DOVELION is HERE; hopefully the info will interest you in reading it anyway. I'll also post a photo from a random page of "Notes" section, to give an idea of what the Notes look like. Ultmately, have fun with this experiment, too!

(Small print: book can be sent only to U.S. addresses.)

THANKS in advance for your time and interest!

Tuesday, June 1, 2021


(click on images to enlarge)

Deep gratitude to reviewer Ray Gleenblatt and North of Oxford for reviewing DOVELION. The reviewer focuses on the book's diction and his focus is why I don't mind talking a lot about the novel's plot ... because nothing said can replace reading the book. One doesn't get this novel by reading about it but only actually reading it, unmediated. You can see entire review HERE, but here are some excerpts:

Tabios has the skill to bring objects to life, whether miniscule or cosmic. Let us first look at the building in which Elena and Ernst meet. “A building that looked like a grey egg. I cracked it open.” (19) This simile suggests the birth of something significant. “The building’s multiple reflections encouraged the thought of parallel universes.” (33) Inside this structure all types of freedom of expression waited for her. Through direct address she challenges her fears: “I am not small and anonymous like you, Basement!’” (31)

[...] Not much has been said about the author’s moments of comedy. 

     “Capturing light through algebra.” (284) 

      “Anthologies of glass.” (285) 

I am not quite sure what the above mean, but I find them delightfully whimsical. "


You are invited to see the recording of the second session of Marsh Hawk Press' Summer Reading Series. This event features readings by Thomas Fink & Maya Mason, Jon Curley, and Eileen R. Tabios with Introductions by Burt Kimmelman. The website features link and password at this link.

(My part of the event starts at 00:35.30 as I'm the last reader.)

I recommend the presentations by the other readers. I also thank Burt Kimmelman for his generous Introduction to me and the book I was launching--the 2021 paperback edition of The In(ter)vention of the Hay(na)ku: Selected Tercets 1995-2019; here's an excerpt: 

"Too many readers overlook a poem’s form ironically. Tabios does not. Yet she’s always bending it. ….Joyce found poetry too confining. Tabios must always transcend her own formalisms.… . Tabios is intrinsically drawn to form for reasons to do with how aesthetics and thought touch."

I'm also grateful to those who attended the reading, including these: