Eileen R. Tabios is a poet working in multiple genres and in-between. She also loves books by writing, reading, publishing, critiquing, romancing and advocating for them. This blog will feature her bibliophilic activities with posts on current book engagements and links to her books and projects related to books.

Wednesday, July 28, 2021

HOTEL PACOIMA by MICHAEL CAYLO-BARADI

Some poets lurk—simmer—under the radar. But when their poems are so good, they come to my attention even as I remain as reticent about my recognition as they are about pushing themselves into the spotlight. That’s what’s great about a book—a book can give (me) the opportunity to sing praise on their behalf. I do that for Michael Caylo-Baradi’s debut (I assume it’s his debut) poetry collection, HOTEL PACOIMA. I read it and was stunned, but in a way I’d anticipated. He solidly grasps the ineffable: masterful at not just objectifying but eroticizing language into flesh itself, sagacious when it comes to observing culture, easily offers a textured diction that often lapses into the delicious, and (and this is difficult to articulate) proffers a sense of some rapprochement with life, such that it ultimately makes sense that he offers Anita Brookner through an epigraph including “…at last I understand that acceptance is all. I succumb to the genius of the place, and know true felicity. The sun is God. Of the rest it is wiser not to know, or not yet to know.” Dear Reader, I counsel you RUN to get this book.


A Sample Poem:





Sunday, July 25, 2021

DOVELION ON "DIVERSE TV" EUROPE!

 "Writings on the Wall" Europe at DiverseTV

Alexandro Botelho reads an excerpt from "The Return of DoveLion," the primary poem featured in DOVELION: A Fairy Tale for Our Times (AC Books, New York, 2021), for "LIVE: Writings on the Wall Europe" (the poem is read at about 40:30).

~~

 






Friday, July 23, 2021

THE SILENCE IS DEAFENING

  I'm delighted to share the 2021 release of my new tiny book, The Silence is Deafening


The Silence is Deafening by Eileen Tabios

(Eileen’sTinyBooks (Victoria Library), Saint Helena, CA, 2021. 1/1)

Size: 1.25” x 1.75”

Here are other images of the deafening book:





The Silence is Deafening uses a hand-made leather bound journal by Ginger at JustJournalIt. Materials: leather, cotton thread, and Arches 90lb cold pressed cotton watercolor paper. Ginger used the long stitch method to affix the paper to the spine.

I held on to Ginger's blank journal for nearly a year before coming across a Facebook post by Chile-based artist Felipe Cussen:

Felipe's post on Fra Elbertus' Essay on Silence inspired me to turn the blank journal into a blank-paged miniature book to become, as well, part of my Bibliotheca Invisibilis Project. Thanks to Felipe for permission to present his original post.



Tuesday, July 20, 2021

MY FIRST FRENCH TRANSLATION IS A BOOK!

I'm grateful to translator Samuel Rochery and publisher Serie Discrete (Bordeaux, France) for releasing my first French book: LA VIE EROTIQUE DE L'ART !


Ordering and other information at the Publisher's Book Page.

Merci, Universe!



Saturday, July 10, 2021

"CHAOS PAMPLONA" IN YOUNTVILLE ART WALK!

The lovely town of Yountville had its Art Walk today and I was able to see my poem in the company of the sculpture that inspired it. Said sculpture was made by Jedd Novatt, and my poem shares its title with his sculpture: “Chaos Pamplona.” The ekphrastic poem project of poets writing “after” one of the sculptures dotting Yountville’s landscape is the brain child of Napa Valley Poet Laureate Marianne Lyon, and I’m grateful Marianne asked me to participate. Here are some photos and it was a lovely day for taking them! I also share another ekphrastic example of a Macaw sculpture  and the poem it inspired from Cathy Carsell. 

(Click on images to enlarge)

















Monday, June 28, 2021

BURT KIMMELMAN REVIEW OF THE IN(TER)VENTION...

Marsh Hawk Press recently concluded a virtual book launch reading series featuring current Marsh Hawk titles by Jon Curley, Thomas Fink and Maya Mason, Edward Foster, Basil King, Daniel Morris, Gail Newman, Geoffrey O’Brien, Eileen R. Tabios, and Tony Trigilio. Before each reading, Burt Kimmelman presented a much-applauded, insightful introduction to the poets' works. These critical intros are now collected in a summer edition of the Marsh Hawk Review available HERE.

I am blessed by what Burt had to say about The In(ter)vention of the Hay(na)ku, including the following:

Too many readers overlook a poem’s form, ironically. Tabios does not. Yet she’s always bending it. Tom Fink points out, in his introduction to The Intervention of the Hay(na)ku, that this book “involves theorizing about poetry [from] within the poems.” 

 

James Joyce found poetry too confining. Tabios must always transcend her own formalisms—their own magnitude and brilliance. What one writer lives in or with, so the other.

 

Tabios is intrinsically drawn to form for reasons to do with how aesthetics and thought touch. Robert Creeley wrote what I see as a hallmark of post-War American experimental poetry. Titled “A Piece,” the poem has five words—two each in the first two lines, one in the last. Its unobvious symmetry is evident in its reading:

 

One and 

one, two, 

three.

 

When once asked about this poem, Creeley said: “I knew that for me it was central to all possibilities of statement.”

Tabios may not know Creeley’s poems well. Nevertheless, she possesses the instinct in that non-poem. I’m awed by her intellect that’s always understated.


*****

What's interesting about this edition of MH Review is that presenting the same critic allows the reader to contextualize each take on a different poet from the same mind--you can consider Burt's opinion on Poet A based, too, on how he approached Poet B or Poet C, etc. There's a certain integrity there that's rarely accessed.


Of course: THANK YOU, Burt Kimmelman!

Summer of Emergence Reading Series: New and Recent Marsh Hawk Press Books

Contents

Introduction 

Basil King, Disparate Beasts Part 2 

Geoffrey O’Brien, Where Did Poetry Come From; Daniel Morris, Blue Poles .

Thomas Fink and Maya Mason, A Pageant for Every Addiction 

Jon Curley, Remnant Halo: A Map n’ Dice Chronicle 

Eileen Tabios, The Intervention of the Hay(na)ku: Selected Tercets 

Gail Newman, Blood Memory 

Tony Trigilio, Proof Something Happened 

Edward Foster, A Looking-Glass for Traytors 

ABOUT BURT KIMMELMAN



Monday, June 7, 2021

A DOVELION EXPERIMENT!

It's been two months and 7 days since my novel DOVELION was released and I am grateful for its reception so far. There were supply imbalances as we didn't expect the initial high demand, which is lovely since it's a great problem to have. Fortunately, DOVELION is now restocked, but I'd like to present an opportunity get a FREE COPY:

The novel comes with a "Notes" section that's so extensive that poet-artist-publisher Holly Crawford observed it's its own novel. So if anyone would like to engage just the 4,500-word "Notes" section, I'd be happy to send over a review copy. ("Engage" here means a reaction that can be informal and written in any style, from epistolary to a straight review.) Your response can be as long as you wish but should be at least 4 paragraphs as I'd be interested in featuring it in next Halo-Halo Review. This Notes section incorporates not just sources to various items in the novel but links that you may or may not wish to follow up on, as well as a few poems. This obviously is an experiment so I'm open to however people end up engaging this Notes section. Email me if this opportunity would be of interest. This offer is available to more than one person, depending on interest.


Info on DOVELION is HERE; hopefully the info will interest you in reading it anyway. I'll also post a photo from a random page of "Notes" section, to give an idea of what the Notes look like. Ultmately, have fun with this experiment, too!


(Small print: book can be sent only to U.S. addresses.)

THANKS in advance for your time and interest!