Nota Bene Eiswein and Reproductions of the Empty Flagpole were part of a fundraising gift basket put together by The Fox Chase Review for Cara's Sweethearts, an organization that helps children and their families during their stay at Children's Hospital in Philadelphia. That be "Babaylan Poetics"...
Eileen R. Tabios is a poet working in multiple genres and in-between. She also loves books by writing, reading, publishing, critiquing, romancing and advocating for them. This blog will feature her bibliophilic activities with posts on current book engagements and links to her books and projects related to books.
Sunday, October 12, 2014
Saturday, October 11, 2014
EILEEN WITH GREEK GODS
From Athena's first day: encounters with the family, Achilles, the dog godmother Mollie, the vet David who wanted to take her home, and the son who's too busy to do puppy training but insists Athena is his dog. Next? The cats....!!!
Thursday, October 9, 2014
ATHENA'S BABY PHOTOS
I'm lagging on developing my poetry career (wink) because of recent dog developments. But I will be getting back to you on certain projects (e.g. Poets on Mortification). I can't say I feel bad -- I've got BABY PHOTOS!!!! And Athena arrives tomorrow!
Click to enlarge photos for unbearable cuteness!
Click to enlarge photos for unbearable cuteness!
Athena on right
Mom and pups
Fourth from Left, Front Row
Athena on right
Refresher courses...
Wednesday, October 8, 2014
WELCOME, ATHENA!
With a full heart, may I introduce Baby Athena. Her full name, as chosen by Michael, is "Flora Athena" -- as Michael explains, after the Roman goddess of flowers and spring because she's gorgeous and the Greek goddess of wisdom and heroic endeavor because she's all that. Gabriela, named after the Philippines' anti-colonial first woman general, would have approved. With no further ado, here is Athena, 4 mos. old -- welcome home, Baby:
RE. THE CIVIL WAR
The U.S. Civil War is just such an immense and immensely-resonating part of U.S. History. Have started blogging about related books over HERE.
Monday, October 6, 2014
DEAD LINE'S STRUGGLING FOR RESURRECTION?
I don’t know Chris Ewan, the author of the novel DEAD LINE which
is part of my list of recently-read books below.
But there’s an evocative passage in the book about the protagonist
searching through a person’s family library and discovering that the rows of
green-spined books on the shelves are fake.
But they’re not just fake books; they open up to reveal another book
inside – precious editions, antique books, erudite tomes and, as the book says,
“and poetry.” The incidence of the
discovery is described but it’s not otherwise linked to the plot
development. Had this matter not been
mentioned by the book, it wouldn’t have hurt the book’s plot. And such is why, though I don’t know anything
about Chris Ewan except that he wrote DEAD LINE, I suspect that Chris Ewan is actually a poet needing to
break out. P.S. DEAD LINE’s
ending? It’s open-ended…
And here's the rest of my latest Relished
W(h)ines update of recently imbibed books and wines. As ever, please
note that in the Publications section, if you see an asterisk before the title,
that means a review copy is available for GalateaResurrects!
More info on that HERE.
PUBLICATIONS
POEM OF DIMINISHING
POETICITY by Angelo Suarez (scalawag daytoy.
Ngem right on met. LinkedIn PoetryRecommendation (LPR) #144)
THE BODY ACHES [POEMS
AND HAY(NA)KU by Ernesto Priego (originally published in 2005, it’s now available online. A chap, but magnificent in its effect. LPR
#139)
FROM UNINCORPORATED
TERRITORY [ GUMA ], poetry by Craig Santos Perez (I don’t know how to type
accents so forgive the lack after the “a” in “guma”. Anyway, late coming to this but
worthwhile. A moving and well-wrought
journey. LPR #145)
TO KEEP TIME, poems
by Joseph Massey (lovely, nuanced, atmospheric, palpable. LPR #146)
MANUAL, poems by
Richard Berengarten (fabulous. LPR #147)
IMAGEMS 1, poetics by
Richard Berengarten (wise. LPR #148)
DO VIDJENJA DANITSE,
poems by Richard Berengarten with Serbian translation by Vera V. Radojevic
(quite accomplished)
DOUBLESPACE: POEMS
1971-1989 by Hank Lazer (interestingly innovative. LPR #143)
EURYDICE’S SONG,
poems by William Borden and monotypes by Douglas Kinsey (wonderful retelling of
the Eurydice and Orpheus tale, from the point of view – unlike with most
variations – of Eurydice. The monotypes
are powerful and lovely. LPR #142)
* ROLY POLY / BICHO BOLA by
Victoria Estol, Trans. from Spanish by Seth Michelson (so glad to be introduced
to this young Uruguayan poet. Wonderful
work. LPR #141)
WRITTEN 1987-2013,
poems by P. Inman (LPR #149)
* BURN PIT, poems by Mary Armstrong (powerful)
* IN THE ICE HOUSE, poems by Genevieve Kaplan
(fabulous. LPR #140)
SETTINGS FOR THESE
SCENES, poems by Genevieve Kaplan (fabulous)
ASTONISHMENTS: SELECTED POEMS OF ANNA KAMIENSKA, Edited and
Translated by Grazyna Drabik and David Curzon (a welcome discovery for me)
* PENURY, poems by Myung Mi Kim
* THE BARONS, poems by Joshua Corey
BINDWEED, poems by
Christianne Balk
* SHE, A BLUEPRINT, poems by Michelle Naka
Pierce with images by Sue Hammond West
* SPECTACLE & PIGSTY, poems by Kiwao
Nomura, Translated by Kyoko Yoshida and Forrest Gander
* THE AMERICANS, poems by David Roderick
* HARROW, poems by Elizabeth Robinson
* THREE NOVELS, poems by Elizabeth Robinson
* WE USED TO BE GENERALS, poems by Sarah
Campbell
* GREEN OIL, poems by Jean Donnelly
* LAND (CRUX 1), poetry by C.J. Martin
* DON’T GO BACK TO SLEEP, poems by Timothy Liu
* THAT OUR EYES BE RIGGED, poems by Kristi
Maxwell
CONTRABAND OF HOOPOE,
poems by Ewa Chrusciel
NEAR CHANGES, poems
by Mona Van Duyn
STRANDS, poems by
Keri Hulme
MISSING THE MOON,
poems by Bin Ramke
THE ALBERTINE
WORK-OUT, poems by Anne Carson
THE RAVEN, poem by
Edgar Allan Poe
* PASSENGER-ULTRASOUND, poems by Justyna
Bargielska,Trans. from Polish by Katarzyna Szuster
* SO I BEGAN, poems by Lisa Lubasch
* KERN, visual poetry by Derek Beaulieu
AUTOBIOGRAPHIES,
poems by Alfred Corn
THE POETRY PROJECT
NEWSLETTER No. 240, Editor Ted Dodson
* ONE FOOT OUT THE DOOR, short stories by Lewis
Warsh
MADE FROM SCRATCH:
DISCOVERING THE PLEASURES OF A HANDMADE LIFE, memoir by Jenna Woginrich
THIS ORGANIC LIFE:
CONFESSIONS OF A SUBURBAN HOMESTEADER, memoir by Joan Dye Gussow
THE SON, novel by Jo
Nesbo
DEAD LINE, novel by
Chris Ewan
WINES
Launois Champagne Grand Cru Le
Mesnil Sur Oger Reserve Brut
2007 Peter Michael Belle Cote
1991 Vega Sicilia Unico and 1999
Gaja Sori Tilden Barbaresco
1982 Cos D'Estournel and 2004
Colgin Herb Lamb Vineyard
1983 Chateau d'Yquem
1853 Whitwhams
Millenium Port Reserve King Pedro V (bottled 2011)
1998 Bighorn Cellars cabernet Soda
Canton Vineyards NV
2012 Rombauer zinfandel NV
2012 The Combo cabernet NV
2011 Breggo pinot noir Savoy
Vineyard Anderson Valley
2004 Harlan
1995 Magpie Estate The Malcolm Barossa Valley
Shiraz
2010 Dana Estates Onda
2003 Peter Jakob Kuhn Oestrich
Lenchen Riesling Trockenbeerenauslese
2007 Paitin Serra Barbaresco
2007 Paitin Serra Barbaresco
Thursday, October 2, 2014
PATRICK ROSAL'S LINES
Patrick Rosal is not just a talented poet but also a wonderful visual artist. Not just great poetic lines but a fabulous visual line. I love this B-Boy drawing he sent me--Agyamanack unay, Patrick!
Reminded, too, of the Otoliths poet-editor issue I curated wherein Patrick participated and said this:
The entire wondrous interview HERE.
Reminded, too, of the Otoliths poet-editor issue I curated wherein Patrick participated and said this:
"I’m an aging b-boy, a once-upon-a-time eighties hip-hop DJ, apprentice to the pause button, who stayed awake for days on end, knelt in front of two makeshift belt-drive turntables, blending, cutting, scratching together just about anything I could find on wax. I’m, therefore, compelled, as a poet and as an editor, by projects that weld together the unlikely, that suggest unusual relationships. that make use of what we got. I’m trusting that excellence is, in fact, democratic, and I hope that readerships and audiences see something of themselves in the syncretic, the tensions between the mundane and the extraordinary. The act of reading, as a result, become a kind of celebration, in company, in solitude, a gathering, (a dancefloor turned chapel, or the latter’s reversion to the former), a reunion (I like to think) of faraway affections. To edit : To offer. In short, the possibilities of cramped, yellow kitchens—a gift of cathedrals."
The entire wondrous interview HERE.
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