In her essay “somewhere inbetween: Speaking-Through Contiguity”, Marthe Reed (1959-2018) directs us to Timothy Morton’s reframing of human/other-than- human relationships as “drastically collective”—“All kinds of beings, from toxic waste to sea snails, are clamoring for our scientific, political, and artistic attention.”
“Escape from this truth lies through no doorway, no slippery construct of language or argument: ‘we’ are ‘it,’ inextricable from our circumstances. The point on which all else turns: within this ‘drastically collective’ condition, how, then...live? Indeed, how write?” —Marthe Reed, Counter-Desecration: A Glossary for Writing Within the Anthropocene
We miss you, Marthe...
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