As I've mentioned here, every few weeks I do a poetry column for my local newspapers. I cover something that's relevant locally, and then have the coverage help inspire a new poem (my current way of an Oulipian restraint).
This week I came out with my fifth column. It's also the first to present another poet's poem which I hope to do more in the future. For this issue, I'm grateful to Aileen Cassinetto whose hay(na)ku on the tariffs issue and roses helped inspire my own poem "The Ferocity of Flowers."
My editor, btw, once observed (thankfully) that I clearly work to make my poems of interest (& accessible?) to readers who might not pay attention otherwise to poetry. He apparently has read my other or earlier poetry which is more, cough, arduous. I am amused. Amusement is one of my favorites muses.
Because a newspaper format is not the prettiest way to present poems, I'll replicate poems below in the order they appear:
 
On Every January 20, I Consider
 
Cherry blossoms or
magnolias—to die petal
by petal or whole
 
 
In Full Bloom: How to Unpack the Love Language of Perishables as Import 
Duties Wilt the Fragile Trade  of Flowers
(By Aileen Cassinetto)
 
Tariff
cut roses,
disrupt love unseasonably
 
The Ferocity of Flowers
 
The tree’s blossoming 
is so generous
the dogwood’s flower 
clusters evoke
a pink waterfall 
as they sway down
from treetop to ground, 
a resplendence
that draws you nearer
to their company.
Of course you lower 
your face closer
to the blooms 
shimmering with dew.
You are reminded
of that pink simile: 
“pink as the lip 
of the sea-shell.” 
Then you recall “pink 
as the rose in Galatea’s 
cheek, “as English
poet Alfred Austin put it. 
And “pink as the cheeks
of sweet-and-twenty,” 
as observed by American 
novelist Temple Bailey; 
unexpectedly, the fictionist 
moves your mind to more 
American history. You recall 
how the United States
and Japan traded dogwood 
saplings and cherry blossom 
trees in a 1912-1915 flower 
exchange. Still, all but one 
of the dogwoods in Tokyo
didn’t survive the subsequent
souring of the two countries’ 
relations. But why focus now
on how the dogwoods didn’t
survive World War II? 
Focus instead on the cherry
blossom trees surviving 
to be the star attraction 
for Washington D.C.’s  
annual spring celebration, 
the National Cherry Blossom 
Festival. Despite death 
by politics, in 2012 
the United States sent 
3,000 dogwood saplings 
to Japan to commemorate 
the 100th anniversary 
of their 1912-1915 flower 
exchange. Someone once 
observed, “Flowers are 
ferocious.” Ferociously, 
flowers insist that something
 is itself, regardless of 
contexts applied by outsiders.
Flowers insist that we realize: 
the inescapability 
of a flower’s beauty 
is an excellent definition 
of gorgeous Integrity.