Eileen R. Tabios is a poet working in multiple genres and in-between. She also loves books by writing, reading, publishing, critiquing, romancing and advocating for them. This blog will feature her bibliophilic activities with posts on current book engagements and links to her books and projects related to books.

Thursday, May 15, 2025

REMEMBERING NICK CARBO at POETRY

 


My remembrance of pioneering poet Nick Carbó is up at the Poetry Foundation website: https://www.poetryfoundation.org/articles/1683593/ang-tunay-na-lalaki-the-real-man-remembering-nick-carbo

I believe my essay also provides a look at a slice of poetry and Fil-Am history not known to many so hopefully it interests readers.



Thursday, May 1, 2025

THE FEROCITY OF FLOWERS

As I've mentioned here, every few weeks I do a poetry column for my local newspapers. I cover something that's relevant locally, and then have the coverage help inspire a new poem (my current way of an Oulipian restraint).

This week I came out with my fifth column. It's also the first to present another poet's poem which I hope to do more in the future. For this issue, I'm grateful to Aileen Cassinetto whose hay(na)ku on the tariffs issue and roses helped inspire my own poem "The Ferocity of Flowers."


My editor, btw, once observed (thankfully) that I clearly work to make my poems of interest (& accessible?) to readers who might not pay attention otherwise to poetry. He apparently has read my other or earlier poetry which is more, cough, arduous. I am amused. Amusement is one of my favorites muses.





Because a newspaper format is not the prettiest way to present poems, I'll replicate poems below in the order they appear:


 

On Every January 20, I Consider

 

Cherry blossoms or

magnolias—to die petal

by petal or whole

 


 

In Full Bloom: How to Unpack the Love Language of Perishables as Import 

Duties Wilt the Fragile Trade  of Flowers

(By Aileen Cassinetto)

 

Tariff

cut roses,

disrupt love unseasonably



 

The Ferocity of Flowers

 

The tree’s blossoming 

is so generous

the dogwood’s flower 

clusters evoke

a pink waterfall 

as they sway down

from treetop to ground, 

a resplendence

that draws you nearer

to their company.

Of course you lower 

your face closer

to the blooms 

shimmering with dew.

You are reminded

of that pink simile: 

“pink as the lip 

of the sea-shell.” 

Then you recall “pink 

as the rose in Galatea’s 

cheek, “as English

poet Alfred Austin put it. 

And “pink as the cheeks

of sweet-and-twenty,” 

as observed by American 

novelist Temple Bailey; 

unexpectedly, the fictionist 

moves your mind to more 

American history. You recall 

how the United States

and Japan traded dogwood 

saplings and cherry blossom 

trees in a 1912-1915 flower 

exchange. Still, all but one 

of the dogwoods in Tokyo

didn’t survive the subsequent

souring of the two countries’ 

relations. But why focus now

on how the dogwoods didn’t

survive World War II? 

Focus instead on the cherry

blossom trees surviving 

to be the star attraction 

for Washington D.C.’s  

annual spring celebration, 

the National Cherry Blossom 

Festival. Despite death 

by politics, in 2012 

the United States sent 

3,000 dogwood saplings 

to Japan to commemorate 

the 100th anniversary 

of their 1912-1915 flower 

exchange. Someone once 

observed, “Flowers are 

ferocious.” Ferociously, 

flowers insist that something

 is itself, regardless of 

contexts applied by outsiders.

Flowers insist that we realize: 

the inescapability 

of a flower’s beauty 

is an excellent definition 

of gorgeous Integrity.