You are invited to read my' essay on titling poems, the latest installment in Marsh Hawk Press' "Chapter One" series!
The essay deliberately references poet-activists Kerima Lorena Tariman (pictured above) and Ericson Acosta because, yes, their murders should never be forgotten. Essay available HERE. Here's an excerpt:
"... much of my job as a poet takes place before I begin any poem. My job is to educate myself on as many topics as possible, engage in a wide variety of experiences, hone my skills at observation, and meditate over the significance of a variety of events—not for writing a poem but by being better in the world through a basking in experience. All this knowledge and experience are filed in my brain as raw material for when I finally write the poem, e.g., the information on Negros Occidental which had marinated in my mind for three decades. In the actual creation of the poem, I trust in having filed enough mental material for the poem to access as it chooses.
Obviously, the more content there is in that mental file, the better the poem is served. I recently noted in an interview that as a poet I believe in education for education’s sake for avoiding cliches and sourcing new metaphors. As an example, for no particular reason besides education, I learned about black holes, specifically that if one is able to witness the phenomenon, one would see objects falling into those holes in falls that seem never to end. The idea of a permanent falling resonated with me and came to be included in several poems."
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The article also provides a link to my next book BECAUSE I LOVE YOU, I BECOME WAR. It's not scheduled for release until May, but SPD now has it available for purchase HERE.
